Theodor Esbern Philipsen
1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south
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Theodor Esbern Philipsen Street in Tunis oil painting


Street in Tunis
mk235 1882 Oil on oilcloth 40x47cm
Painting ID::  54337 		Theodor Esbern Philipsen
Street in Tunis
mk235 1882 Oil on oilcloth 40x47cm
   
   
     
Theodor Esbern Philipsen A Lane at Kastrup oil painting


A Lane at Kastrup
mk235 1891 Oil on canvas 55x82cm
Painting ID::  54353 		Theodor Esbern Philipsen
A Lane at Kastrup
mk235 1891 Oil on canvas 55x82cm
   
   
     
Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil painting


A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cjr
Painting ID::  79936 		Theodor Esbern Philipsen
A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cjr
   
   
     
Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine oil painting


A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cyf
Painting ID::  83909 		Theodor Esbern Philipsen
A Late Autumn Day in Dyrehaven, Sunshine
Oil on canvas, 66.5 x 84.5 cm Date 1886(1886) cyf
   
   
     
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     Theodor Esbern Philipsen
     1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south

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